Showing posts with label Rap and Hip-Hop. Show all posts
Showing posts with label Rap and Hip-Hop. Show all posts

You Hear That? That's Real T@lk. Listen.



Over at The Big Dead Sidebar, I'm used to getting tips (and if you've got any, please send to bigdeadsidebar(AT)gmail(DOT)com) ... but here's a first. A musical tip.

Brandon "Real T@lk" Williams and I go back to the days in which I was known as Funky Cold Medina in writing classes at Southern Illinois University Carbondale.

Strapped with a creative imagination, slick word play and a sharp tongue, "Real T@lk" delivers some goods with "The Mo Betta Mixtape." Some people say that things change and people change as the age. But with Real T@lk, it's the same-old stuff.

And that's a good thing.

Check it out.

Real T@lk - The Mo Betta Mixtape [JukeSquad Worldwide]

Busta + Big Tigger = Niiiiiice

I'm still waiting for Busta Rhymes' next big-time album. He coulda been one of the all-time greats if not for label issues or the paradigm shift in the hip-hop community from New York to the South.

As for Big Tig, he's better than about 75 percent of the rap game. If you're like me and go back to the days when BET played music videos and Tigger had a hit show in Rap City Tha Bassment, he outshined almost every rapper he stepped in the booth with.

Maybe he should get his own album.

Just a thought.

Another thought. The girl at the 2:33 mark. Yeah, she got me sprung!


Throwback Tuesday: Betha's Back!



Throughout the 1990s, the Bad Boy record label was running things in New York. In its prime, it featured plenty of show-stoppers and hit-makers such as Black Rob, The Lox, Puff Daddy (before he changed his name a half-dozen times) and some guy named Christopher Wallace that you might know as The Notorious B.I.G.

Sometimes lost in the mix is Mase, who was Puffy's top sidekick in the post-B.I.G. era. The two parlayed Diddy's business sense and beats with old-school samples combined with Mason Betha's slick rhyme scheme into one of the most successful rap duos in the game.

See, Mase had "swag" before "swag" was an overused urban term suburban white kids said because their one half-black friend said it. The Artist Formerly Known As Murda Mase paved the way for guys like Fabolous to be successful witht heir style, not to mention he was the door opener for the careers of Cam'ron and Jim Jones, which led to Juelz Santana and the Dipset movement.

He was the face of Harlem hip-hop.

However, without much of an advanced notice, Mase turned in his Bad Boy chain for the Good Book and the word of God and became Pastor Mason. That stood for only a few years before he came back as a clean rapper, and despite the luke-warm success radio psuedo-hits like "Welcome Back" and "Breathe, Stretch, Shake" before he took a major career misstep in joining G-Unit.

I still can't forgive that, specifically that line "I got hoes in the back of the church humming your name" line. Boooooo!

Let's fast forward to 2009, where Mase has declared his return to the game, inspired by the death of Michael Jackson. Sure, he has no clue who's hot. And in turn, the generation has no idea who Mase is.

But I'm sure if you team him with an album laced with the production of hit-makers like Kanye, DJ Premier, 9th Wonder and Just Blaze people will once again care about Mase.

Here's hoping Mase's return to the game is successful. He could be the breath of fresh air that a prefabricated lab-rapper could never be. And now, tracks I like by Ma$e.
  1. Feel So Good
  2. Lookin' At Me
  3. Breathe, Stretch, Shake
  4. Welcome Back
  5. Tell Me What You Want From Me (feat. Total)
  6. Can't Hold Me Down (feat. Puff Daddy)
  7. Been Around The World (feat. The Notorious B.I.G. & Puff Daddy)
  8. Lean Back Remix (feat. Fat Joe & Eminem)

Mase's Return Inspired By Michael Jackson's Death [All Hip Hop]

NOLA Rocks My Mic. Pause.

NBA: APR 29 Hornets at Nuggets
Hornets PG Chris Paul ponders the decisions I made for my NOLA All-Star hit list

Shuffling through my iPod the other night, I came across a classic 1990s hip-hop track. Master P's "Make 'Em Say Uhhh!" appeared and soon blared through my car speakers just like it did on my walkman back when it first premiered.

Well, the No Limit anthem got me thinking about my favorite songs from New Orleans based rappers, as back in the day, the No Limit and Cash Money cliques battled back and forth for bragging rights in the 504.

So, here is your Chris Paul-inspired playlist.

  1. Make 'Em Say Uhhh! by Master P
  2. It Ain't My Fault Part 2 by Mystikal & Silkk Tha Shokker
  3. Bourbans and Lacs by Master P (this song is great if you've got sounds in the trunk)
  4. Shake Ya Ass by Mystikal
  5. Back That Azz Up by Juvenile (you gotta have the booty-shaker anthems, right?)
  6. Bling Bling by B.G.
  7. Still Fly by Big Tymers
  8. #1 Stunna by Big Tymers
  9. Project Chick by Cash Money Millionaires
  10. I Need A Hot Girl by Cash Money Millionaires
  11. Ha by Juvenile
  12. Tha Block Is Hot by Lil' Wayne
  13. Bring It Back by Lil' Wayne (that "sleeping with women that sleep with the Hornets" line gets me every time)
  14. Stuntin' Like My Daddy by Birdman & Lil' Wayne
  15. What Happened To That Boy by Birdman feat. The Clipse
  16. Nolia Clap by Wacko, Skip & Juvenile
  17. Slow Motion by Juvenile
Playlist Time: 1 hour, 16 minutes, 43 seconds

Editorial: WTF Common?

Launch Of Diesels Only the Brave Fragrance

For the longest time, Common represented the Chicago hip-hop scene. While New York and L.A. claimed coronation in the hip-hop community, The City was overlooked, underrated and definitely underrepresented. Meanwhile, the man once known as "Common Sense" held his ground at home and staying in his own lane.

Most importantly, Common kept it real before "keeping it real" was a catchphrase for whack rappers or a punchline for out of touch fakers who wouldn't know real if it sat on their laps and called it poppa. His hits were overlooked on a wide scale, but Chicagoans and hip-hop heads alike were not overly outraged because he was the glimmer of hope that hip-hop would not completely turn commercial. He was like the one guy in baseball who refused to take steroids (whoever that was, we may never know) when medical needles were as common as baseball bats in the clubhouse. Rap all you want about blunts, hos, hood rats, bitches, rims and 40-ounce beverages, Common was not going to change for anyone.

Then some cat named Kanye West blew up and took over locally, nationally and then globally all in one fell swoop. But the good news for Common was that 'Ye was able to take him along for the ride, bringing a new set of ears to good music. Since joining Mr. West's G.O.O.D. Music label, Common has two classics under his belt. "Be" is a man's album where you get classic Common on story-telling tracks such as The Corners and Testify, while showing a little bit of his grown up side with Go and Faithful. On his second album, "Finding Forver," Common continued to stay true to his roots as his music continued to make waves in the mainstream.

Then came the mis-steps. I'll get to Universal Mind Control later because the fact that he made a song with the Jonas Brothers needs to be addressed now.

Yes, the Jonas Brothers. Those teenie-boppin, pop-rock, Taylor Swift-heartbreaking sonsofbitches somehow conned Common into making a track with them. There is no rhyme or reason for Common to be wasting bars on a Jonas Bros. track, simply none. I understand trying to reach out to another audience in an attempt to capture more ears, but truth is that the people listening to the Jonas Bros. are not listening to Common.

As for UMC, it was a disappointment in all aspects. Somewhere, The Clipse heard that album and shook their head in utter disbelief as The Neptunes wasted a year's worth of beats the Virginia duo would have certainly smashed. As for Common, he sounded off key and out of place. Sure, the first single (which sampled Afrika Bambaata's Looking For The Perfect Beat) was nice, but it landed somewhere in between the mixtape fodder and something you would hear at a house party categories. The only other worthwhile track was Punch Drunk Love featuring a Kanye West hook in which (shockingly!) Common sounded comfortable on.

I'm not saying that Yeezy and Common should be attached at the hip for every album, but what I am saying is that I want my old Common back. No more misguided attempts with random Neptunes tracks. And definitely make sure the Jonas Bros. erase your name and number from their cell phones.

For Common, he needs to go back to making sense and care less about making dollars and cents.

Common Featured On A Jonas Brothers Song [Nah Right]